a sentient fortune machine who narrates the musical Ride the Cyclone described as "an imposing mechanical man with a large beard and glowing eyes." The mask, gloves, and booth were designed and constructed by Wes. The costume pieces were designed by Joyce Leahy, and altered by Wes to fit the "Machine" components.

A special effect technique designed to mimic the uncommonly seen onstage, but commonly treated in reality eschar burn. Common with severe localized burns, eschars are essentially walled-off portions of necrotic flesh. The textured pitting and surface desiccation of such wounds makes this technique useful for highly visible wound makeup, and can even be combined with other techniques for unique takes on traditional zombie or monster makeup.

a series of custom-built props styled after the Lightsabers of the Star Wars franchise. Each piece is made of solid components such as wood and pluming hardware. While they do not have blades or electronic components, each is sturdy enough to serve as a permanent accessory to any cosplay or film costume.

a set of prosthetics designed to evoke an homage to the origins of the character, namely Boris Karloff and his most famous roles. Meant for an audience with less knowledge of the actor, the design includes a broad prosthetic nose, and a prominent scar on the forehead modeled after Karloff's Frankenstein monster.

A hooded floor-length cloak with double Inverness-style capelets. Designed for fantasy reenactment, but usable for a wide variety of roles or cosplays.

A growing trend for city centers and churches is the community pantry. The version built by Weston for Trinity Evangelical Lutheran Church in downtown Columbus Ohio is weatherproofed, and large enough to store consumables such as canned goods, bottled water, and hygiene products along with commonly needed items such as hats, socks, and shoes. Exterior designs were a community effort after being assembled by Wes.